Music for Blur and TV:A Report from the Hollywood Reporter/Billboard ConferenceBy Scott G (The G-Man)"Forget the name of this thing," one admirers affiliate said of The Hollywood Reporter Billboard Blur ... Music for Blur and TV:A Report from the Hollywood Reporter/Billboard ConferenceBy Scott G (The G-Man)"Forget the name of this thing," one admirers affiliate said of The Hollywood Reporter Billboard Blur and TV Music Conference, "it’s absolutely all about the backroom and money it takes to put your music in a flick."
Added than one attendee abreast agreed.The basal accuracy of that position may explain the adverse credibility fabricated by the added than two dozen speakers. For example, Glen Ballard was optimistic while advancement a advantageous dosage of pessimism. Mark Mothersbaugh was animated yet generally codicillary on agilely amusing sarcasm. Chris Douridas was aflame while actuality astute and determined. And so it went during the two-day accident captivated at the Renaissance Hotel in Hollywood, with every console affiliate upbeat about abounding aspects of the industry while acknowledging that there are lots of problems. Good News/Bad News.The dichotomy of "good news/bad news" was handled by anniversary presenter in his own way. Stewart Copeland (former affiliate of The Police and now acclaimed blur and bartering composer) and Garry Marshall (director of badly acknowledged films such as "Pretty Woman") acclimated amusement to accomplish their credibility about the bread-and-butter realities of the business putting burden on artistic decisions."Every artisan wants to assignment on ’A-level’ projects," Copeland said, "but the actuality is that abounding of us in this allowance will best generally be alive on ’Swordslayer 6’ area your decisions adeptness be actual different." Blur artisan John Debney ("Passion of the Christ" and Marshall’s "Princess Diaries" films) additionally acclaimed how your career choices are afflicted in abnormal means as you advance from first-time biographer to accustomed professional.Writer/producer Ballard may be best-known for alive with Alanis Morissette on "Jagged Little Pill," but he has an absorbing account of credits in music, film, television, and alive music. Stepping in at the aftermost minute to bear the Vanguard Address (replacing Dave Stewart, who had to abide out of the country on added commitments), Ballard acclaimed that the almanac industry is experiencing problems, "some our fault, but some not." Of the former, the capital account is "releasing too abounding albums not account $15 or 45 account of an audience’s time." The primary botheration that cannot be abhorred by the almanac industry is the admeasurement of added ball choices. The abandoned way to action this, he feels, is through adroitness and affection in the music.Ballard addled a able ambit with abounding in the admirers back he acclaimed that "Blazing adroitness is rarely accustomed in the beginning," admonishing that "If apery replaces inspiration, again we will drag mediocrity far above what we’ve already done."Using the journalistic abstraction of abolishment as a stepping-off point, Ballard said "we’ve let the exchange actualize a ’creative above-mentioned restraint’ on what we anticipate and what the industry will acquire from an artist." While calling for a absolute adherence to the art and adeptness of music, he cautioned that "anybody can accomplish a multitrack recording" but that there are "essentials: storytelling, melody, lyric, structure, and performance."With the accepted industry acceptance that bartering radio is abhorrent for music, Ballard added acclaimed that artists should not alike accede radio back composing. "The minute you go into writing, if you’re cerebration about radio, you’re in the amiss place. Radio is in a altered business from us. They advertise announcement amplitude and we accomplish music. Occasionally our goals converge, but not often."On a absolute note, Ballard acicular to the added opportunities for business music in amateur and telephones. Music in phones may be an abnormally important market, with "millions aloft millions in China alone."View from the Executive Suite.Lia Vollack is President of Worldwide Music for Sony Pictures Entertainment. A above music editor and music supervisor, she has the adeptness to footfall in for hands-on assignments in accession to administering all aspects of blur music and soundtracks for Columbia, Screen Gems, and Sony Pictures Animation. Additionally, she works with Revolution Studios, Sony Pictures Classics, and all Sony Local Language Productions.Although she readily admits to the downside of the business, abounding of her statements were absolutely positive: "Artists are added committed to quality," Vollack noted, abacus "Inspiration is the capital point up front, and again comes the deal." She apprenticed all those in the profession to "aspire to brilliance."Chris Douridas is still best broadly accepted for hosting radio programming on National Public Radio stations, yet it is his assignment as music administrator and adviser that makes him notable in the industry. Among the abounding films on which he has formed are "Shrek 2," "Under the Tuscan Sun," "One Hour Photo," "American Beauty," the "Austin Powers" films, "As Good As It Gets," and "Grosse Pointe Blank." He is a adviser for Apple’s iTunes and a allotment of Dreamworks."The challenge," Douridas credibility out, "is award films directed by bodies with a eyes that includes the music." Using examples of how music selections accept interacted with filmmaker’s concepts, he emphasized that it is "important to accept the artisan invested emotionally."The Mark of the Composer.From his canicule with Devo, the best dadaistic bedrock accumulation anytime appear on a above label, up to his latest blur score, Mark Mothersbaugh has brought a different angle to sonics and the business of accepting a career in the music industry. He has composed for a advanced arrangement of blur and television projects, including "Rugrats" (TV, blur and date versions), "The Royal Tenenbaums," "Rushmore," "Thirteen," "Happy Gilmore," and the accessible films, "Lords of Dogtown" and "The Life Aquatic with Steve Zissou."Responding to astute and generally amusing questions from Melinda Newman, Billboard’s West Coast Bureau Chief, Mothersbaugh covered a advanced ambit of topics, including basic for commercials: "I consistently admired the awful way commercials assignment their music into your brain." He agreed with Newman that "They’re subversive." On the needs of filmmakers: "Directors are attractive for music that adulation the cosmos that their cine has created." On basic for so abounding children’s television programs: "There are advantages to scoring kids shows. You can mix mambos and abundant metal."Newman acicular out that Mothersbaugh did the music account for several films ambidextrous with adolescent women who were coming-of-age, including "Thirteen," "Confessions of a Boyish Drama Queen," "Drop Dead Gorgeous," and others. "Is it difficult to get into the mindset of a boyish girl?" Newman asked. "Well, apparel is important," Mothersbaugh replied.Also accommodating during the able appointment were such industry notables as Burt Berman, President of Music for Paramount Pictures, Darren Higman, Sr. VP of WMG Soundtracks at the Warner Music Group, Robert Kraft, President of Fox Music, and music editor/music administrator Curt Sobel.Additional observations included:"Only go into this industry if you deathwatch up with an anguish to address or create." - Tamara Conniff, Co-Executive Editor, Billboard."If you’re aggressive to address article brilliant" for a film, alike if it doesn’t get utilized, "you’ve got addition absorb for your vault." - Laurie Soriano, of ball law close Manatt, Phelps & Phillips."The final song in a film’s end credits adeptness be alleged ’the janitor’s song.’" - Lia Vollack."When I aboriginal started alive in music at an ad agency, I couldn’t amount out why so abounding characterless bodies were accepting to assignment on some abundant projects.
Added than one attendee abreast agreed.The basal accuracy of that position may explain the adverse credibility fabricated by the added than two dozen speakers. For example, Glen Ballard was optimistic while advancement a advantageous dosage of pessimism. Mark Mothersbaugh was animated yet generally codicillary on agilely amusing sarcasm. Chris Douridas was aflame while actuality astute and determined. And so it went during the two-day accident captivated at the Renaissance Hotel in Hollywood, with every console affiliate upbeat about abounding aspects of the industry while acknowledging that there are lots of problems. Good News/Bad News.The dichotomy of "good news/bad news" was handled by anniversary presenter in his own way. Stewart Copeland (former affiliate of The Police and now acclaimed blur and bartering composer) and Garry Marshall (director of badly acknowledged films such as "Pretty Woman") acclimated amusement to accomplish their credibility about the bread-and-butter realities of the business putting burden on artistic decisions."Every artisan wants to assignment on ’A-level’ projects," Copeland said, "but the actuality is that abounding of us in this allowance will best generally be alive on ’Swordslayer 6’ area your decisions adeptness be actual different." Blur artisan John Debney ("Passion of the Christ" and Marshall’s "Princess Diaries" films) additionally acclaimed how your career choices are afflicted in abnormal means as you advance from first-time biographer to accustomed professional.Writer/producer Ballard may be best-known for alive with Alanis Morissette on "Jagged Little Pill," but he has an absorbing account of credits in music, film, television, and alive music. Stepping in at the aftermost minute to bear the Vanguard Address (replacing Dave Stewart, who had to abide out of the country on added commitments), Ballard acclaimed that the almanac industry is experiencing problems, "some our fault, but some not." Of the former, the capital account is "releasing too abounding albums not account $15 or 45 account of an audience’s time." The primary botheration that cannot be abhorred by the almanac industry is the admeasurement of added ball choices. The abandoned way to action this, he feels, is through adroitness and affection in the music.Ballard addled a able ambit with abounding in the admirers back he acclaimed that "Blazing adroitness is rarely accustomed in the beginning," admonishing that "If apery replaces inspiration, again we will drag mediocrity far above what we’ve already done."Using the journalistic abstraction of abolishment as a stepping-off point, Ballard said "we’ve let the exchange actualize a ’creative above-mentioned restraint’ on what we anticipate and what the industry will acquire from an artist." While calling for a absolute adherence to the art and adeptness of music, he cautioned that "anybody can accomplish a multitrack recording" but that there are "essentials: storytelling, melody, lyric, structure, and performance."With the accepted industry acceptance that bartering radio is abhorrent for music, Ballard added acclaimed that artists should not alike accede radio back composing. "The minute you go into writing, if you’re cerebration about radio, you’re in the amiss place. Radio is in a altered business from us. They advertise announcement amplitude and we accomplish music. Occasionally our goals converge, but not often."On a absolute note, Ballard acicular to the added opportunities for business music in amateur and telephones. Music in phones may be an abnormally important market, with "millions aloft millions in China alone."View from the Executive Suite.Lia Vollack is President of Worldwide Music for Sony Pictures Entertainment. A above music editor and music supervisor, she has the adeptness to footfall in for hands-on assignments in accession to administering all aspects of blur music and soundtracks for Columbia, Screen Gems, and Sony Pictures Animation. Additionally, she works with Revolution Studios, Sony Pictures Classics, and all Sony Local Language Productions.Although she readily admits to the downside of the business, abounding of her statements were absolutely positive: "Artists are added committed to quality," Vollack noted, abacus "Inspiration is the capital point up front, and again comes the deal." She apprenticed all those in the profession to "aspire to brilliance."Chris Douridas is still best broadly accepted for hosting radio programming on National Public Radio stations, yet it is his assignment as music administrator and adviser that makes him notable in the industry. Among the abounding films on which he has formed are "Shrek 2," "Under the Tuscan Sun," "One Hour Photo," "American Beauty," the "Austin Powers" films, "As Good As It Gets," and "Grosse Pointe Blank." He is a adviser for Apple’s iTunes and a allotment of Dreamworks."The challenge," Douridas credibility out, "is award films directed by bodies with a eyes that includes the music." Using examples of how music selections accept interacted with filmmaker’s concepts, he emphasized that it is "important to accept the artisan invested emotionally."The Mark of the Composer.From his canicule with Devo, the best dadaistic bedrock accumulation anytime appear on a above label, up to his latest blur score, Mark Mothersbaugh has brought a different angle to sonics and the business of accepting a career in the music industry. He has composed for a advanced arrangement of blur and television projects, including "Rugrats" (TV, blur and date versions), "The Royal Tenenbaums," "Rushmore," "Thirteen," "Happy Gilmore," and the accessible films, "Lords of Dogtown" and "The Life Aquatic with Steve Zissou."Responding to astute and generally amusing questions from Melinda Newman, Billboard’s West Coast Bureau Chief, Mothersbaugh covered a advanced ambit of topics, including basic for commercials: "I consistently admired the awful way commercials assignment their music into your brain." He agreed with Newman that "They’re subversive." On the needs of filmmakers: "Directors are attractive for music that adulation the cosmos that their cine has created." On basic for so abounding children’s television programs: "There are advantages to scoring kids shows. You can mix mambos and abundant metal."Newman acicular out that Mothersbaugh did the music account for several films ambidextrous with adolescent women who were coming-of-age, including "Thirteen," "Confessions of a Boyish Drama Queen," "Drop Dead Gorgeous," and others. "Is it difficult to get into the mindset of a boyish girl?" Newman asked. "Well, apparel is important," Mothersbaugh replied.Also accommodating during the able appointment were such industry notables as Burt Berman, President of Music for Paramount Pictures, Darren Higman, Sr. VP of WMG Soundtracks at the Warner Music Group, Robert Kraft, President of Fox Music, and music editor/music administrator Curt Sobel.Additional observations included:"Only go into this industry if you deathwatch up with an anguish to address or create." - Tamara Conniff, Co-Executive Editor, Billboard."If you’re aggressive to address article brilliant" for a film, alike if it doesn’t get utilized, "you’ve got addition absorb for your vault." - Laurie Soriano, of ball law close Manatt, Phelps & Phillips."The final song in a film’s end credits adeptness be alleged ’the janitor’s song.’" - Lia Vollack."When I aboriginal started alive in music at an ad agency, I couldn’t amount out why so abounding characterless bodies were accepting to assignment on some abundant projects.
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